Dulcy's (very) Basic Bodhran Lesson

Sarishan, friends,

Since I am short on content this month (I'm looking directly at you, Populace of Nottinghill Coill), I'm going to share something with you you might find interesting or useful. I get people asking me from time to time about playing the bodhran, or the "Irish drum". If you dont' know what one is, listen to some upbeat Irish music and that low, soft heartbeat of percussion you hear is a bodhran.

Bodhrans are thought to be right on the upper edge of our timeline, so they are arguably late period.. In any case, you see them at events from time to time.

Number one question I get asked about playing this instrument is "how do I hold the tipper (or beater, or stick, or dooflatchy thing)?"

I'm not going to kid you, it takes a little patience and practice and will feel a little awkward at first. It's like riding a bike. You'll get it all at once. Hold it like a pencil about three quarters towards the business end (I know they are both " business ends"...just ignore the rear one for now.) Curl your arm out in a low arc, curl your hand so the stick is sort of pointing at your chest.

You'll hold the drum on your thigh (for now) at a 45 degree angle to your tipper arm.

About the drum: if the skin is very tight, wet it down with plain water. Yes, I know people say use Guinness and I'm going to ask you not to do that. If the head is perpetually extremely tight, you may rub it down with some Burt's Bees ResQ ointment, but be aware this will be kind of a permanent fix. Proceed cautiously. But plain water is fine. I've seen Ivar put his drum in Katherine's kitchen sink and turn the tap on before (Ivar's bodhran is very, very tight.). Your drum should not sound like a piece of tin when you strike it. It should have a bit of a dull bounce to it. If it's a low humidity situation, you'll have to dampen it often. Bodhran players keep water misters in their kit bags for this reason.

Now, put on some music you like. Something fast with a good, simple beat. It's harder to play slowly when you're learning. Avoid waltzes or slip jigs for now, they're a little more advanced. If you can't find an easy beat, find another song. I recommend a 4/4 or a 2/4 beat. Something with an even number of beats in each measure.You may use rock, or any other genre, if you like. I, for instance, know what a lot of Def Leppard songs sound like with an Irish bodhran added. I'm just saying.

Concentrate on just keeping the beat steady. Do not worry about the other end of the stick, learning to play both ends of the stick will come later. If you can't keep a steady beat with one end, you  aren't ready to try it with both.

The tipper strike ought to have a little bounce. Keep your wrist relaxed and your fingers on the stick firm so you don't drop it. I found it useful to practice a lot of little five minute sessions spread over my day rather than sitting around in one long frustrating session. You'll find your own way. Let the stick dance over the skin and enjoy the music. If you get frustrated, put it away and come back.

There's all sorts of techniques, from how to hold the stick, how to do rimshots, how to use your other hand to affect pitch and volume and whatnot. This article won't go into that. Right now, keep a beat, have fun, and get comfortable with the instrument.

I will leave you with this bit of wisdom: Not all songs or tunes need percussion, and the ones that do are not contests to see who can be louder or more overpowering. If you're all that noticeable as a bodhran player, you probably ought to consider backing off a little. Listen to what's going on around you. Sometimes the best thing you can give a tune is some breathing space. If so, simply listen to and appreciate the tune for it's own sake, and look for the next opportunity for you to join in and add something that fits!

Nais tuk and latcho drom!
Dulcy

Luminaries Illuminated: Lady Sithmaith NicAoidh (art and writing by Baron Bardulf) National Galleries of Scotland

National Galleries of Scotland
Edinburgh

Catalog of the Northern Renaissance Art Collection  1350 to 1600

“Portrait of Lady Sithmaith NicAoidh” Utrecht - Circa 1574  
by Anthonis Mor van Dashorst (1516? - 1577) 

Catalog # NGSE 4168  
Source: Rijksmuseum/Amsterdam  
Date of Acquisition: 2/31/92

Anthonis Mor van Dashorst, Dutch portrait painter, a pupil of Jan van Scorel in his native Utrecht.  He was the most successful court portraitist of his day, leading to an international career that  took him to England, Germany, Italy, Portugal, and Spain. In England he painted a portrait  of Mary Tudor (Prado, Madrid, 1554) for which he was said to have been knighted. He is  sometimes known as Sir Anthony More and the Spanish version of his name, Antonio Moro, also  is commonly used. Master at Antwerp in 1547. In Rome from 1550 to 1551. Active at the Court  of Portugal in 1552. England in 1554. Spain in 1559. Mor often returned to his native Utrecht  and spent his final years in Antwerp.

His work shows little variation throughout his career; sitters are shown life-size or a little larger,  half, three-quarter, or full-length, turned slightly to the side with an air of unruffled dignity. His  composition is simple and strong and his grasp of character firm but undemonstrative. He owed  much to Titian, but his surfaces are much more detailed and polished in the northern manner.  Mor had great influence on the development of royal and aristocratic portraiture, particularly in  Spain, where his ceremonious but austere style ideally suited the rigorous etiquette of the court.

The portrait probably was executed during the winter of 1574-75 when the artist was in declining  health. Because Mor’s eyesight was failing, it lacks the detail and vibrancy of his earlier portraits  and was therefore regarded as one of his lesser works.

The artistic merits to one side, the identity of the subject remained a tantalizing enigma for  over four hundred years. A striking characteristic of this portrait is the absence of an outsized  collar, lace cuffs and other sartorial excesses that were typical of the Elizabethan Age. Thus  the unnamed woman, although obviously a person of aristocratic bearing, displayed an  iconoclastically less flamboyant taste and sensibility than Mor’s usual clientele.

For much of its history, the painting passed from collector to collector with little appreciation in  value. The nadir occurred in 1923 when it was purchased for a pittance, then blatantly over-  appraised and “donated” to the Rijksmuseum as part of a thinly disguised tax avoidance. It also  is noteworthy that during World War II, when the Nazis plundered virtually all the portable art in  Continental Europe, this painting was deemed unworthy and was left behind in Holland.

Against this background, the anonymous portrait languished out of sight for decades in  the “Basement Collection” of the Rijksmuseum.

All that changed in 1990 when a graduate student found a heretofore overlooked reference to this  portrait amongst Mor’s estate inventory papers. Subsequent research led him to conclude in his  doctoral thesis that the subject of the portrait was none other than Lady Sithmaith NicAoidh.

If his premise is correct, then the portrait is the only known likeness of one of the more “colorful”  and yet shadowy personages of sixteenth century Scotland. Needless to say, this assertion has  generated considerable scholarly debate and markedly increased the value of this painting.

Lady Sithmaith NicAoidh was born sometime around 1530 in the County of Argyll, the third  daughter of a minor Scottish Nobleman. She was married and subsequently widowed early in  life.

Precious little reliable documentation is linked directly to Lady Sithmaith and most of what  is “known” is based largely upon conjecture, inference, and outright hearsay. In retrospect this is  hardly surprising, since the Lady was of necessity most adroit at covering her tracks.

Although largely self-educated, Lady NicAoidh was nevertheless fluent in several languages and  was reputed to have been an accomplished (and formidable) courtier.

As the third daughter and a widow, her dowry was gone and she was bereft of whatever modest  estate or endowment her title might bestow. Thus she earned her bread as an itinerant painter  of illuminated manuscripts and portraiture. Her artistic abilities apparently were quite creditable,  as they found favor not only in the Court of Saint James, but even amongst the notoriously elitist  cognoscenti of the Venetian Court.

Publicly, Sithmaith was avowedly apolitical and unusually adept at concealing both her Scottish  nationalist sympathies and her heartfelt antipathy toward the English in general and Queen  Elizabeth in particular.

Thus, Lady Sithmaith was viewed as innocuous and was allowed to travel freely throughout  Europe, ostensibly seeking commissions for her artwork - without arousing suspicions as to  her true mission: She covertly wreaked havoc upon English diplomacy abroad while soliciting  support for the Scottish cause.

Despite that, scholars have noted that certain cryptic references in English diplomatic  correspondence suggest that Lady NicAoidh provided Queen Elizabeth with critical information  regarding the Spanish military presence in Flanders. One may surmise that as much as  Sithmaith chafed under the English subjugation of Scotland, the prospect of Spanish hegemony  over all of Europe was even more repugnant.

Sithmaith’s career as an agent provocateur came to an abrupt end when an ambassador of the  English Crown intercepted one of her less circumspect letters to a cohort. Alerted to the danger  by someone within Elizabeth’s own Court, Lady Sithmaith was forced to flee northwards into  Scotland. Even though the Scottish Nobility pledged their fealty to the English Crown, in the latter  half of the sixteenth century there still were a few highland districts where this loyalty was entirely  theoretical.

During her flight, she narrowly avoided capture and certain execution on at least two occasions.  The first instance resulted in the defenestration of a Lancaster constable, while the other back-alley escape was made good in the chaotic aftermath of an exceptionally well-flung chamber pot.

Despite that some historians (invariably British) dismiss Lady Sithmaith NicAoidh as nothing more than an opportunist who sold information to any ready buyer, her effectiveness on behalf  of Scottish independence should not be underestimated. Queen Elizabeth’s failure to secure  reliable alliances with other northern European nations (most notably France and Holland) meant  that England could not devote sufficient military resources to subdue the ever-rebellious Scots  decisively.

What is known of Lady Sithmaith’s story ends on a somewhat humorous note. When safely  ensconced in the remote Scottish Highlands, she could not resist thumbing her nose at her  would-be executioner. In 1580, a letter was posted to the Court of Saint James in which  Sithmaith protested that the price upon her head (50 Pounds Sterling) was “insultingly paltry and  unworthy”.

In what was certainly an unintended “left-handed” compliment, Elizabeth apparently agreed and  doubled the bounty. ------------------------------------------------------------------------------------------------------------------------------- Curator’s Note:  The following is an excerpt from a recently discovered page of what was apparently Lady Sithmaith NicAoidh diary:

“Seventeenth May -

I sought a night's respite in a tavern near the river. That it was disreputable enough of an establishment that no person of good name, breeding, or influence would be found there made it all the better for my purpose.  

As t'was my habit, I took supper in my room. When the kitchen wench delivered, I paid her a copper and bid her what news might be had from the public room below. Her report that a Queen's bounty-man was presently making inquiries as to any woman that traveled alone quite ruined my appetite.  

When she left, I gathered my possessions and tarried a moment that I might leave unobserved. Such was not to be. When I arrived at the top of the stairs I encountered three armed ruffians below me. Near at hand, there were four or so chamber pots that had been left for the wench to empty. Lacking any other inspiration, I kicked the lot of them down the stairs.  

In his haste to avoid my sallade, the foremost rogue planted his foot in a pot, quite firmly wedged it therein and thus fell backwards upon his companions.  

It is altogether quite remarkable what insights may be gained about one's own character, manner, morals, and virtue when they are loudly discoursed upon in the most appalling language.  

Having won a moment's grace, I fled the opposite direction and down the servant's stairway. In the kitchen I espied a cat and seized it, then kicked the door open and threw the beast into the midst of the dogs that invariably gather there to gain what kitchen scraps they may. The cat, being no fool, beat a hasty retreat. The dogs, perceiving a bit of sport and a ready meal, followed close behind. I turned and took refuge under the stairs.  

The Queen's men having sorted themselves out at this point, thundered down the stairs and into the kitchen. There they saw the open door and heard the dogs loudly giving pursuit down the alley, and assuming that I led the chase, followed suit.”

Greetings and Joyous Holiday wishes to Our most Wonderful Barony of Nottinghill Coill!

What a year this has been.  His Excellency and I have had the opportunity to visit in all the different parts of the Barony, and travel to other lands with  many different members of Our populace.  We have been made aware of how special our group is, and how blessed we are to live here.  We have shared our pride with Kings and Queens of Atlantia, and we hope that they know what a sparkling jewel this group is in the Royal Crowns.  Thank you for letting us have this opportunity to represent such a warm, rich Barony.

Yule Toy Tourney was a shinning example of what this group offers.  The charity shown by the toy drive was heartfelt, and obvious to anyone who walked into the room with the tables and tables of gifts for those children who might not otherwise have the magical Christmas experience.  We would like to thank Admiral Brandon and his crew for putting together this wonderful event.  We would also offer our gratitude to all those (led by Lady Milicent) who helped us keep our Royal guests well fed and cared for during the event.  We were told by our Guests how impressed they were at how helpful and welcoming the group was to them from the moment they pulled into the site.  However, what gives me the greatest pride is that this attitude was extended to everyone who came, regardless of their royal rank.   Thank you to all who helped in all the ways that added up to one of the best events of the year.

Now, We urge you to rest, revel and enjoy your winter holidays.  The new year promises to have just as much joy and opportunity as the last.

Yours in Service,
Geldamar and Etain, Baron and Baroness of Nottinghill Coill.

Konnichiwa & Greetings to the Populace of Nottinghill Coill

We had a splendid Coill Collegium on Saturday 11/12. Many Thanks to the Instructors, the Students and the Staff. Most especially Lady Isolda, Lady Irmgard, Lady Milicent and Lady Rohesia. Our goal is to hold another Collegium in June/July of 2012 and make this an annual Baronial Event. As always I remain...

in Service to the Dream,
Baron Takeda Yoshinaka

Seneschal, Nottinghill Coill

Yule Toy Tourney VI: Dec 9-11, 2011

As the weather grows cooler and the leaves begin to turn, thoughts inevitably stray toward the Yule Season. It is a time for family andgiving, a time for peaceful fellowship with those we love. As we count the many gifts we have received in life, we should all remember that there are those less fortunate than us– those who need our help to have a festive Yule Season.

To this end, the Barony of Nottinghill Coill would like to invite you to join us at our annual charity event to provide Yuletide cheer for those who are less fortunate than ourselves. As has become custom, we are supporting The Country Santa charity group. Last year this group made it possible for over 3000 children to have a happier holiday season. For more information on this charity, go to www.countrysanta.org.

The event will be held at the Table Rock Wesleyan Camp (125 Bethany Cove Drive, Pickens, SC 29671) in and around the Tabor Building (http:// www.trrcc.org/facilities/tabor/). The site itself is a beautiful setting with a stunning view of Table Rock itself.

Site Fee is a donation of one new, unwrapped toy that will go to Country Santa. Additional donations will be required for entry into Martial Activities and A&S competitions (see below)

The site has dorm-style rooms that can sleep from 4 to 12 gentles, for a total capacity of 50. The overnight fee is $10 per person to reserve space for both Friday and Saturday nights.

Feast will be an “Iron Chef” competition between the winner of last year’s competition, Captain Nichola, and Baron Norton from our neighboring Barony of Hidden Mountain. The secret ingredient will be  The secret ingredient will be Chicken/Eggs. Feast fee is $10 per person, and will be capped at 60 gentles. As anyone can tell you who attended last year’s event, you do not want to miss this feast. 

Martial Activities will include:

Archery – A Yule Season Themed shoot (Entry = 1 new unwrapped toy)

Armored Combat – A traditional 5 weapons tourney (Entry = 1 new unwrapped toy per fighting form)

Rapier Combat– There will be 3 rapier scenarios, A “Thin Ice” fight, a “Snowball Fight” in which the assembled crowd will participate, and an “Odd Off-Hand Parrying Device” Tourney. (Entry = 1 new unwrapped toy per tourney)  Baron Lucien has also sponsored a “rising stars” tourney to show off some of the up-and-coming fighters in the area. (Entry = 1 new unwrapped toy per tourney)

Arts and Sciences Competitions will include:

Best handmade toy or game, Best Handmade Yule Ornament or Decoration, Best Baked Goods or Sweets (Entry= 1 new unwrapped toy per competition) and a special Baronial Tapestry category sponsored by Lady Milicent (Entry= 1 new unwrapped toy per competition)

Reservations (for Overnight Stay and Feast – Toys are taken at the door) :

Make checks payable to SCA, Inc. Barony of NottinghillCoill. Send reservations to Lady Janna of Falcon Cree (Janna Shelby), 110 McArthur Street, Easley, SC 29642, Phone: (864) 386-3793, E-mail: 

totooz63[AT]yahoo.com

Site opens at 5PM on Friday and closes at 11AM on Sunday

Any other questions, please contact the Event Steward – Captain Brandon Caiside (Brandon Cassady), Phone (864) 404-6796, E-Mail: bcaiside[at]yahoo.com